There's a particular kind of pressure that only shows up after a franchise loses its anchor. Outlander spent twelve years and eight seasons turning Claire and Jamie Fraser's love story into one of Starz's defining shows, and in May it earned the kind of ending most long-running series only dream about: a perfect 100% Tomatometer score on its final season, based on 29 reviews. Four months later, the only thing left wearing the Outlander name had its own moment under the lights — and this time, the two critics who'd actually seen it couldn't agree on much of anything.

In Brief

  • Outlander: Blood of My Blood Season 2 premiered September 18 on Starz to a split early reception — 7/10 from Collider, 6/10 from Screen Rant — well behind Season 1's Certified Fresh 91% Tomatometer score from last year.
  • The premiere lands four months after flagship series Outlander closed its eight-season, twelve-year run in May with a perfect 100% Tomatometer score, leaving Blood of My Blood as the only Outlander show still on the air.
  • Season 2 pushes its two intertwined romances toward the opening days of the 1715 Jacobite Rising, with creator Matthew B. Roberts, composer Bear McCreary, and stars Harriet Slater, Jamie Roy, Hermione Corfield and Jeremy Irvine all back for the ten-episode run.

A perfect goodbye, then the hardest job in the franchise

Outlander's ending wasn't a quiet one. The show, adapted from Diana Gabaldon's novels and running on Starz since 2014, wrapped its tenth and final episode on May 16 with a 100% Tomatometer score across 29 critic reviews — the strongest reception any season of the show had ever gotten, capping a run that had spent over a decade as one of the more reliably beloved dramas on television. Starz had announced back in January 2023 that Season 8 would be the last, giving the show three years to plan an exit instead of stumbling into one, and by most accounts it used that time well. Critics who'd watched Claire and Jamie Fraser stumble through wars, prisons and two different centuries together for over a decade came away calling the finale a fitting, unhurried goodbye.

What that ending also did, whether anyone said it out loud at the time or not, was hand the entire weight of the Outlander name to a single show that had only existed for one season. Outlander: Blood of My Blood, the prequel following Jamie's parents Brian and Ellen and Claire's parents Henry and Julia, premiered its own first season back in August 2025 while the flagship was still airing new episodes elsewhere in its run. That overlap mattered more than it might have seemed: for over half a year, if Blood of My Blood stumbled, the mothership was still right there to reassure everyone the franchise was fine. Season 1 didn't need that safety net anyway, landing a Certified Fresh 91% Tomatometer score across 22 reviews, with critics broadly agreeing it captured the same romantic, adventurous spirit that made the original a hit in the first place. Season 2 doesn't get that overlap. It's the first chapter of this franchise's story where Blood of My Blood is standing entirely on its own.

What the first reviews are actually saying

Season 2 premiered with its first two episodes on September 18, and a day later, Rotten Tomatoes had only logged two full critic reviews for it — a noticeably slower start than the 22 that had piled up by the same point in Season 1's run. The two that did land didn't line up. Collider's Carly Lane, who watched the first four episodes provided to critics ahead of premiere, gave the season a 7/10, describing it as still very much a romance at heart, but one now devoting real energy to pushing its bigger story forward rather than just its central couples. Screen Rant's Angel Shaw came in lower at 6/10, and her complaint was specific: the show still looks stunning, but the actual substance underneath that polish felt thinner than it should. In a separate, more sprawling review of the same four episodes, Screen Rant's own coverage went further in the other direction, calling the show visually "a sensory masterpiece" and crediting returning composer Bear McCreary for helping the season fully establish an identity apart from its parent series.

Then there's Tell-Tale TV, a Rotten Tomatoes-certified outlet, whose review of the premiere episode alone landed somewhere in between — calling it "a tapestry of good and bad," praising the obvious chemistry in both central romances while pushing back on a story that seemed to be avoiding the harder decisions it needed to make. None of that adds up to a bad season. It adds up to a season nobody's fully agreed on yet, which is a genuinely different position for this franchise to be in. Season 1 built consensus almost immediately. Season 2, at least one day in, hasn't.

The Jacobites are rising, and so is the pressure

The story itself is moving forward on purpose. Season 2 picks up with the signal fires lighting across the Highlands as Clan Fraser and Clan MacKenzie get pulled into the opening days of the 1715 Jacobite Rising, forcing Brian Fraser and Ellen MacKenzie's already-forbidden romance to survive an actual war between their families rather than just their families' disapproval. On the other side of the timeline, Henry Beauchamp and Julia continue their own slower path toward the marriage that will eventually make them Claire's parents, with Season 2 reportedly spending more time on the lingering toll of Henry's wartime experience than the first season did. Harriet Slater, Jamie Roy, Hermione Corfield and Jeremy Irvine all return in the lead roles, joined by Tony Curran as Lord Lovat, the real historical Jacobite chief nicknamed "the Old Fox" — a name that tends to promise trouble for everyone standing near him.

The season runs ten episodes on Starz through November 20, with new chapters arriving weekly. That's a real amount of time for a split reception to turn into something more settled, in either direction, and it's worth remembering that Rotten Tomatoes scores from a season's first day or two rarely resemble where a show lands by its finale. Still, the split itself tells its own story about where this franchise actually stands right now — not in crisis, not coasting, but genuinely being tested for the first time without the show that built its audience still running alongside it.